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Nothing in our country is more undecided in the
public mind than the etiquette of mourning. It has
not yet received that hereditary and positive
character which makes the slightest departure from
received custom so reprehensible in England. We have
not the mutes, or the nodding feathers of the
hearse, that still form part of the English funeral
equipage; nor is the rank of the poor clay which
travels to its last home illustrated by the pomp and
ceremony of its departure. Still, in answer to some
pertinent questions, we will offer a few desultory
remarks, beginning with the end, as it were the
return of the mourner to the world.
When persons who have been in mourning wish to
re-enter society, they should leave cards on all
their friends and acquaintances, as an intimation
that they are equal to the paying and receiving of
calls. Until this intimation is given, society will
not venture to intrude upon the mourner's privacy.
In eases where cards of inquiry have been left, with
the words "To inquire" written on the top of the
card, these cards should be replied to by cards with
"Thanks for kind inquiries" written upon them; but
if cards for inquiry had not been left, this form
can be omitted.
Of course there is a kind of complimentary mourning
which does not necessitate seclusion that which is
worn out of respect to a husband's relative whom one
may never have seen. But no one wearing a heavy
crape veil should go to a gay reception, a wedding,
or a theatre; the thing is incongruous. Still less
should mourning prevent one from taking proper
recreation: the more the heart aches, the more
should one try to gain cheerfulness and composure,
to hear music, to see faces which one loves: this is
a duty, not merely a wise and sensible rule. Yet it
is well to have some established customs as to
visiting and dress in order that the gay and the
heartless may in observing them avoid that which
shocks every one an appearance of lack of respect to
the memory of the dead that all society may move on
in decency and order, which is the object and end of
the study of etiquette.
A heartless wife who, instead of being grieved at
the death of her husband, is rejoiced at it, should
be taught that society will not respect her unless
she pays to the memory of the man whose name she
bears that "homage which vice pays to virtue," a
commendable respect to the usages of society in the
matter of mourning and of retirement from the world.
Mourning garments have this use, that they are a
shield to the real mourner, and they are often a
curtain of respectability to the person who should
be a mourner but is not. We shall therefore borrow
from the best English and American authorities what
we believe to be the most recent usages in the
etiquette of mourning.
As for periods of mourning, we are told that a
widow's mourning should last eighteen months,
although in England it is somewhat lightened in
twelve. For the first six months the dress should be
of crape cloth, or Henrietta cloth covered entirely
with crape, collar and cuffs of white crape, a crape
bonnet with a long crape veil, and a widow's cap of
white crape if preferred. In America, however,
widows' caps are not as universally worn as in
England. Dull black kid gloves are worn in first
mourning; after that _gants de Suede_ or silk gloves
are proper, particularly in summer. After six
months' mourning the crape can be removed, and
grenadine, copeau fringe, and dead trimmings used,
if the smell of crape is offensive, as it is to some
people. After twelve months the widow's cap is left
off, and the heavy veil is exchanged for a lighter
one, and the dress can be of silk grenadine, plain
black gros-grain, or crape-trimmed cashmere with jet
trimmings, and
crepe lisse about the neck and sleeves.
All kinds of black fur and seal-skin are worn in
deep mourning.
Mourning for a father or mother should last one
year. During half a year should be worn Henrietta
cloth or serge trimmed with crape, at first with
black tulle at the wrists and neck. A deep veil is
worn at the back of the bonnet, but not over the
head or face like
the widow's veil, which covers the entire person
when down. This fashion is very much objected to by
doctors, who think many diseases of the eye come by
this means, and advise for common use thin
nun's-veiling instead of crape, which sheds its
pernicious dye into the sensitive nostrils,
producing catarrhal disease as well as blindness and
cataract of the eye. It is a thousand pities that
fashion dictates the crape veil, but so it is. It is
the very banner of woe, and no one has the courage
to go without it. We can only suggest to mourners
wearing it that they should pin a small veil of
black tulle over the eyes and nose, and throw back
the heavy crape as often as possible, for health's
sake.
Jet ornaments alone should be worn for eighteen
months, unless diamonds set as mementoes are used.
For half-mourning, a bonnet of silk or chip, trimmed
with crape and ribbon. Mourning flowers, and crepe
lisse at the hands and wrists, lead the way to gray,
mauve, and white-and-black toilettes after the
second year.
Mourning for a brother or sister may be the same;
for a stepfather or stepmother the same; for
grandparents the same; but the duration may be
shorter. In England this sort of respectful mourning
only lasts three months.
Mourning for children should last nine months, The
first three the dress should be crape-trimmed, the
mourning less deep than that for a husband. No one
is ever ready to take off mourning; therefore these
rules have this advantage they enable the friends
around a grief-stricken mother to tell her when is
the time to make her dress more cheerful, which she
is bound to do for the sake of the survivors, many
of whom are perhaps affected for life by seeing a
mother always in black. It is well for mothers to
remember this when sorrow for a lost child makes all
the earth seem barren to them.
We are often asked whether letters of condolence
should be written on black-edged paper. Decidedly
not, unless the writer is in black. The telegraph
now flashes messages of respect and sympathy across
sea and land like a voice from the heart. Perhaps it
is better than any other word of sympathy, although
all who can should write to a bereaved person. There
is no formula possible for these letters; they must
be left to the individual's good taste, and perhaps
the simplest and least conventional are the best. A
card with a few words penciled on it has often been
the best letter of condolence.
In France a long and deeply edged mourning letter or
address, called a _faire part_, is sent to every one
known to the family to advise them of a death. In
this country that is not done, although some mention
of the deceased is generally sent to friends in
Europe who would not otherwise hear of the death.
Wives wear mourning for the relatives of their
husbands precisely as they would for their own, as
would husbands for the relatives of their wives.
Widowers wear mourning for their wives two years in
England; here only one year. Widowers go into
society at a much earlier date than widows, it being
a received rule that all gentlemen in mourning for
relatives go into society very much sooner than
ladies.
Ladies of the family attend the funeral of a
relative if they are able to do so, and wear their
deepest mourning. Servants are usually put in
mourning for the head of the family sometimes for
any member of it. They should wear a plain black
livery and weeds on their hats; the inside lining of
the family carriage should also be of black.
The period of mourning for an aunt or uncle or
cousin is of three months' duration, and that time
at least should elapse before the family go out or
into gay company, or are seen at theatres or operas,
etc.
We now come to the saddest part of our subject, the
consideration of the dead body, so dear, yet so soon
to leave us; so familiar, yet so far away the
cast-off dress, the beloved clay. Dust to dust,
ashes to ashes!
As for the coffin, it is simpler than formerly; and,
while lined with satin and made with care, it is
plain on the outside black cloth, with silver plate
for the name, and silver handles, being in the most
modern taste. There are but few of the "trappings of
woe." At the funeral of General Grant, twice a
President, and regarded as the savior of his
country, there was a gorgeous catafalque of purple
velvet, but at the ordinary funeral there are none
of these trappings. If our richest citizen were to
die to-morrow, he would probably be buried plainly.
Yet it is touching to see with what fidelity the
poorest creature tries to "bury her dead decent."
The destitute Irish woman begs for a few dollars for
this sacred duty, and seldom in vain. It is a duty
for the rich to put down ostentation in funerals,
for it is an expense which comes heavily on those
who have poverty added to grief.
In dressing the remains for the grave, those of a
man are usually "clad in his habit as he lived." For
a woman, tastes differ: a white robe and cap, not
necessarily shroud like, are decidedly
unexceptionable. For young persons and children
white cashmere robes and flowers are always most
appropriate.
The late cardinal, whose splendid obsequies and
whose regal "lying in state" were in keeping with
his high rank and the gorgeous ceremonial of his
Church, was strongly opposed to the profuse use of
flowers at funerals, and requested that none be sent
to deck his lifeless clay. He was a modest and
humble man, and always on the right side in these
things; therefore let his advice prevail. A few
flowers placed in the dead hand, perhaps a simple
wreath, but not those unmeaning memorials which have
become to real mourners such sad perversities of
good taste, such a misuse of flowers. Let those who
can afford to send such things devote the money to
the use of poor mothers who cannot afford to buy a
coffin for a dead child or a coat for a living one.
In the course of a month after a death all friends
of the deceased are expected to leave cards on the
survivors, and it is discretionary whether these be
written on or not. These cards should be carefully
preserved, that, when the mourner is ready to return
to the world, they may be properly acknowledged.
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